(See comments on 1920’s further down). The most famous couturiers of the era were Jeanne Lanvin and Chanel. A Look Inside the Offices of Fashion Designer Jeanne Lanvin Video from the Archives, Jeanne LANVIN in fittings Breton suit Jeanne Lanvin, 1867 – 1946 House of Lanvin: 1889 – Present Primary influence verbal instructions to a team of sketchers one of the first couturiers to design She even had the forethought to open her own dye factory which produced the inimitable 'Lanvin blue.' During an event thrown by fashion designer Paul Poiret in 1920, Jeanne Lanvin met renowned architect-decorator Armand-Albert Rateau, who had just graduated from the famous École Boulle.Together they decided to create a pavilion dedicated to the art of living at 15 rue du Faubourg Saint-Honoré. Jeanne Lanvin was a French designer in the late 1800s and early 1900s in France. Lanvin's designs seemed to exist in a time of their own: although modern, they were never governed by the prevailing modes. And Jeanne did understand that fashion isn’t just about clothes, it is a way of life and in the 1920s she already opened shops devoted to home décor (Lanvin Décoration, at 15 Rue du Faubourg Saint-Honoré), sportswear, menswear, furs, swimwear and lingerie. Silk, metal. This room, created by the designer Armand-Albert Rateau for Jeanne Lanvin’s private apartment, is a perfect illustration of Rateau’s innovative style combining classical art, an original bestiary and a taste for precious materials. Lanvin's aptitude can be seen through her house's 1920s expansion into fur, lingerie, men's wear, household goods and perfume. The longevity of the House of Lanvin can be credited to her attentive management and design standards from its inception. What was a woman to do in the 1920s if she did not want the boxy chemise silhouette of a flapper?Chances are she went for the softer, more classic robes de style look that was ushered in by French designer Jeanne Lanvin. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Helen Appleton Read, 1962. Fig. New York: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, 2009.300.2860. The Great Jeanne Lanvin. In 1914, Jeanne Lanvin moved to the Eastern-style, using velvets and satins, reflections upon the impact these designs had in 1910 – 1911 and onwards. A robe de style dress featured a close fit on top and a longer, fuller skirt on the bottom. Jeanne Lanvin headed one of the premier Paris couture houses of the 1910s and 1920s, even though her "pretty" dresses contrasted sharply with the slim, almost androgynous aesthetic of that period. 6 - Jeanne Lanvin (French, 1867–1946). Jeanne Lanvin is the designer of “Maroussia,” the charming model above which is made of Marocain Greg with sleeves of antique cashmere. Evening dress, 1925. The skirt is stitched in the colors which appear in the cashmere. 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